We return to another installment of the series sure to pop up in the hundreds of Google and Bing searches for the Quorum of Gentlemen due to the number of times I can add the word gentlemen to a blog with the word gentlemen in the title. Gentlemen, start your engines.
Critic and fan reviews of this installment of Alan Moore's crossover fiction series were mixed (and that doesn't count the folks who conspired to ban it from libraries). Rather than a straightforward story told in a series of comic book installments, the Black Dossier is a coffee-table style book full of a mixed-media pastiche of things to look at and read. There is a linear comic story featuring the primary protagonists of the league, Mina Murray and Allan Quatermain, in which they largely spoof James Bond in the setting of Orwells' Big Brother London (who came to power in 48, not 84... Orwell had it wrong, you see). Other sections, however, are frequently comprised of text and prose, and jump over several decades hinting at larger adventures of the League and expanding on other fictional characters with little to no relevance to the League, other than Moore squeezing them into the LoEG world. Which suits me just fine. Yes, I am tantilized by pictures and stories about Fanny Hill. Sue me.
The bad: It's just so much. Where the League stories traditionally hint and tease at a world full of fictional characters, it is generally not necessary to research the characters and the 200 references in the background. But the Dossier is purely a vehicle for Alan Moore to flex his literary and cultural muscles and indulge in crossover self-pleasuring. Unfortunately, softer fans of crossover fiction who had hoped for a Watchmen style epic found themselves confused and longing for a more normal story. Yeah, Alan, you're just too smart.
The good: It's just so well done. Moore mimics a variety of writing styles, in addition to the core storyline which retains his own writing voice. And many of the included characters suprise- we expected HP Lovecraft, but we didn't know that the Unknown Ones would have to contend with Jeeves & Wooster! Kerouac gets in on the action, and 100 other folks which even I had a hard time getting through without using Google. The main story culminates in a transdimensional journey crafted in 3-D by an expert in the field, Ray Zone. I'm the first to agree that 3-D often isn't so great, but I contend that the 3-D artwork here is one of the finest things I have ever viewed while wearing stupid looking glasses. Granted, it would have probably been better on drugs, mostly because the story would have made more sense.
In conclusion, ladies and gentlemen, the Black Dossier is a clumsy and overwhelming mess guaranteed to make anyone except Alan Moore feel like a moron. But it is a crossover fiction fan's wet dream and I loved it, loved it, loved it. I highly recommend that anyone who is a fan of comic book art at least get it from your local library in order to check out the 3-D section.
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